Thursday 23rd September 1976 – Vibrators and Damned – Nag’s Head
This ‘punk’ double header featuring The Damned and The Vibrators came just two days after the infamous 100 Club Punk Festival in London and was arranged by Ron Watts who was now back as the main promoter at The Nag’s Head in High Wycombe.
The Damned with The Vibrators at The Nag’s Head, High Wycombe 23rd September 1976 Advert from the Bucks Free Press – including other local events
The Vibrators had been formed earlier in 1976 by 31 year Ian ‘Knox’ Carnochan. They had converted to ‘punks’ (essentially cutting their hair) on the lead up to the 100 Club Punk Festival where they also backed guitarist and producer Chris Spedding. It’s unclear if Spedding also took the stage for their appearance at The Nag’s Head. Spedding had produced the first ever Sex Pistols demos (recorded in May 1976) and had a playing career that included playing with The Wombles. The Vibrators were signed to RCA records on Spedding’s recommendation and released their first ever single ‘We Vibrate’ in November 1976.
The Damned were playing what is believed to be their 8th ever gig. They had formally debuted at The 100 Club on 6 July 1976 as support to The Sex Pistols. There are also unconfirmed stories that they also played at The Nag’s Head a few days later but this either didn’t take place or could have been a practice session/gig arranged with the help of Ron Watts who had taken on the brave decision to manage the band during the summer heatwave of 1976 as a replacement for Andrew Czezowski.
The Damned signing with Stiff Records and with Ron Watts as Manager – photo credit unknown
The line-up of The Damned that took the stage at The Nag’s Head for their September 1976 appearance was Dave Vanian (19 years old, vocals), Brian James (26, guitar), Captain Sensible (Ray Burns) (22, bass) and Rat Scabies (Chris Miller) (21, drums). They ripped through a set that was likely to have included ‘1 of the 2, New Rose, Comfort, Help, Fan Club, I Feel Alright and So Messed Up.
The performance of The Damned that evening would help inspire a few in the audience to form their own ‘punk’ bands. The Damned themselves would return to the venue the following month for a chaotic evening that would lead to Ron Watts quitting as their Manager.
Just over six months since The Sex Pistols had made their infamous appearance at High Wycombe’s College, the punk pioneers were granted an appearance at the Town’s premier pub venue – The Nag’s Head on the London Road – by local promoter Ron Watts. In the interim period Watts had put the band on nine times at The 100 Club in Oxford Street, London, the most recent coming just two days before their return to Buckinghamshire. For Watts this gig also marked a formal return to promoting at a venue he had first adopted as the home of his ‘Blues Loft’ back in early 1968.
A flyer for the gig at The Nag’s Head on Thursday 2nd September 1976 had been well circulated on the internet at the time this article was first published. The press cuttings include the now famous ‘Don’t look over your shoulder, but the Sex Pistols are coming’ headline from a NME review of their support slot to Eddie & The Hot Rods at The Marquee just prior to their February 1976 appearance at High Wycombe College. The entrance cost of 70p would also include support act, The Suburban Studs, described as ‘The Legendary CBGB Band’ despite them being from Birmingham, England!
Sex Pistols flyer – Nag’s Head 2nd September 1976
The gig was also advertised in the Melody Maker and the local press as Watts attempted to generate some interest in a gig that appeared to pass under the radar of many of the locals.
Sex Pistols – Nag’s Head 2nd September 1976 Advert from Melody Maker
Worth remembering that this gig was pre-Bill Grundy (1st December 1976). Consequently, the return of the Sex Pistols to the town didn’t even warrant a mention or review in the local press. If the gig had been arranged post-Bill Grundy, it would have undoubtedly made front page news and most likely have been cancelled.
Sex Pistols – Nag’s Head 2nd September 1976 Advert from Bucks Midweek Free Press
Watt’s had taken the opportunity to promote at the Nag’s Head again after regular promoter John Curd had taken the summer off leaving landlord Mick Fitzgibbons with a blank calendar for the loft.
Watts recalled in his autobiography: “I want back in, I’ve got some acts who will pull in bigger crowds than anyone else could get you.”
Watts also recalls the Sex Pistols gig attracted a ‘good crowd’ but it was no means sold out, explaining: “As I expected, the audience was mainly ordinary music fans who were punk-curious, although there were a few punks there. For some reason High Wycombe and Princes Risborough had an element of youth that were into the new scene much earlier than elsewhere outside of London.”
Some of the ‘punk-curious’ music fans in attendance included those who would eventually form what is recognised as High Wycombe’s first ‘punk’ band – Deathwish. School friends Kris Jozajtis and Mark White were in the crowd for the Pistols and can be seen in some brief footage of the gig filmed by what is believed to be a French film crew making a punk documentary. The footage appeared to be lost until appearing on the ‘Filth & The Fury’ film released in 2000. Some slightly different footage also appeared on YouTube with a different edit to the ‘Filth & The Fury’ version.
Friday 20th February 1976 – Sex Pistols support Lord Sutch at Wycombe College
My research for this infamous gig provided much of the inspiration for this website. An article published on chairboys.co.uk to mark the 40th anniversary included my findings from this chaotic evening. I have since continued to add more background to the story and included additional press cuttings that have been enhanced for use of wycombegigs.co.uk and the @wycombegigs Twitter feed. Any additional information and/or pictures would be most welcome.
Full page from the Bucks Free Press Midweek showing what is believed to be the second ever live review of one of their gigs. Discovered during my research in February 2016
Nearly four months before their legendary 4th June 1976 gig at Manchester’s Lesser Free Trade Hall, the High Wycombe appearance proved to be was as significant as any in the Sex Pistols history. Not quite the birthplace of punk but at least a port of call on the route of conception.
The Sex Pistols had formed the previous year and played their first gig in November 1975. A week before their appearance in High Wycombe, at what locals called ‘The Tech’, the Pistols had played a support slot to Eddie & The Hot Rods at The Marquee. A review of the gig in the following Thursday’s New Musical Express came with the headline ‘Don’t look over your shoulder, but the Sex Pistols are coming’.
The myth goes that the Sex Pistols turned up unannounced for their gig in High Wycombe but enough was known about it before hand for at least of couple of significant people to travel from Manchester in a borrowed car to see what all the fuss was about. They were Pete McNeish and Howard Trafford, students from Bolton who had seen the NME review the day before and had decided to travel to London, meeting friend Richard Boon in Reading on the way, to track down their next gig. A phone call to the NME led them to Pistols’ Manager Malcolm McLaren’s shop in the Kings Road where they informed of the planned appearance in High Wycombe that very evening.
20 year old McNeish and 23 year old Trafford would also pick up a copy of Time Out that day where the headline for the review of TV programme Rock Follies gave them inspiration for a name for the band they planned to form – ‘FEELING A BUZZ, COCKS’. McNeish would become Pete Shelley and Trafford, Howard Devoto. Richard Boon would be their Manager and after seeing the Pistols in High Wycombe they would return to Manchester to form Buzzcocks and promote the famous gigs at The Lesser Free Trade Hall.
The audience on the night of Friday 20th February 1976 was typical of a Rag Week concert in High Wycombe – a mixture mainly of art, building and engineering students – many interested in the cheap beer available, including the offer of four pints of Guinness for £1.
The ‘punk scene’ had yet to happen in the UK and aside from the NME article published the previous day, Sex Pistols were virtually unknown and at the time this was the furthest they had played outside of London.
Assistant Social Secretary at the time, Patrick Graham recalls clearly the evening – partly due to his 6’4” mate Loz spotting trouble on the stage during one of the songs where, just turned 20 year old,lead singer Jonny Rotten had accidentally” smashed Screaming Lord Sutch’s gold plated microphone into the stage while swinging it on its lead. “One of Sutch’s group was about to start a fight – Loz, acting as security at the side of the stage picked up Rotten by the back of his belt and scruff of neck and threw him into the sparsely filled “auditorium” like a small sack of potatoes…people took the hint that causing trouble meant they would lose…”
Graham operated the disco as assistant to the social secretary, Tony Wilkins, who was the one who booked the Pistols for the knock down price (from full) to a half crate of Carlsberg. The Pistols had rung up the College seeking a gig supporting Screaming Lord Sutch. Graham recalls: “Johnny Rotten came up and asked if I had any “out of tune guitar music – like the New York Dolls or the Tubes?” – I put on, “White Punks on dope”, he approved but didn’t smile.”
The Bucks Free Press Midweek carried a review of the gig the following Tuesday written by young reporter Janice McKelvie – completely unknowingly it became what is believed to be the second ever ‘review’ of a Sex Pistols gig (after the NME piece) and never published online before I discovered it in February 2016 while researching the 40th anniversary of the gig. Written just a day or so after the gig, it probably gives one of the most accurate recollections of the night.
Sex Pistols review High Wycombe from Bucks Free Press First published online on chairboys.co.uk February 2016 – enhanced for wycombegigs.co.uk February 2020
The report starts off by saying: “A four man group by the strange name of Sex Pistols stole the show at The Rag Ball on Friday. It wasn’t they musically good – they just refused to stop playing.” The report goes on to say how after one song lead singer Johnny Rotten shouted at the audience: “That’s it we’re going home.” The Pistols front man was apparently not happy with the PA system and continued in what was reported as: “in a stream of language denouncing the college, rag committee and the audience.”
The report continues: “The audience replied with a slow hand clap and jeering. The group stopped playing. Five minutes later they were back and told the audience: “We hope you enjoy this because we ain’t gonna”. After a couple of more tracks the group were asked to finish and the discotheque started. But the group were not having this and started playing again. During the next song the vocalist decided to lie down on the edge of the college stage and somebody from the audience ran forward and pulled him onto the floor. A small disturbance broke out but the vocalist escaped back to the stage. Eventually Sex Pistols ran out of songs and left the stage. Members of the Rag Committee later alleged that the group had damaged another performer’s equipment.”
The BFP report also recalls that before Sex Pistols and taken stage, a local band called Kites had played too. But the name of the band was either a mistake or a toned down version of their real name, Clits. Their guitarist was apparently a Wycombe Wanderers fan and according to the BFP report they were ‘a more sombre group’ and ‘seemed to be use to abuse from the audience as well because the vocalist invited the audience to shout at them.’
Another significant figure in the audience that night was local promoter Ron Watts. 33 year old Watts was apparently at the gig to see the college social secretary about a stripper he was booking for them. He popped his head in to the gig to witness The Sex Pistols creating chaos but was interested enough to make a note of their name. Pistols Manager Malcolm McLaren would later seek out him at The 100 Club venue in Oxford Street where Watts promoted Blues Nights. McLaren said he wanted his band to play there. Watts, recalling his memories of the High Wycombe gig a few days before, agreed. The Sex Pistols would appear for the first time at The 100 Club on Tuesday 30th March 1976.
Watts would put on The Pistols a further 10 times at the 100 Club in 1976, including the famous Punk Festival held on 20 and 21 September 1976. Before then, on Thursday 2nd September 1976 , Watts would bring them back to High Wycombe for an appearance at The Nags Head, a venue Watts was now promoting gigs at again having originally started out there in the late 1960’s. The Nags Head, a former Headquarters of Wycombe Wanderers in the late 19th century, would go on to play a significant part in the rise of ‘punk rock’ but that would have seemed light years away back in February 1976.
Myth busting
There are several myths surrounding this gig, including several in printed publications that have since been repeated in the online world. Let’s make a list – know any more, then get in touch:
Sex Pistols turn up unannounced – no, they were booked late on with full knowledge of the Student Union Social team who had agreed a half crate of Carlsberg as the payment for their appearance.
Ron Watts was the promoter of the gig – no, he had turned up to book a stripper and saw part of the Pistols set by chance.
The gig took place in the College Student Union building – no, the larger Main Hall was used for the Rag Ball – estimated capacity 400.
It was the College’s Valentine Ball – no, the gig took place on 20th February 1976. Valentine’s Day was the previous Saturday – the closest gig to this date at the College was a Kilburn & The High Roads appearance on Friday 13th February 1976.
Johnny Rotten smashed a borrowed microphone from Lord Sutch – no, this story has been toned down over the years to the point where the gold coloured microphone was returned undamaged in its transport box.
Ron Watts booked the Sex Pistols at the 100 Club after seeing this gig – not really, Watts was approached by Malcolm McLaren few weeks after the gig. Unlikely that Watts would have instigated their residency at The 100 Club without the approach from McLaren
References and further reading:
Talking Punk on Wycombe Sound – April 2018
Includes audio extract of interview with Janice Raycroft recalling the February 1976 at High Wycombe and the antics of then Pistols fan, Sid Vicious
Alternatively – here is the direct link to the audio file
My original article as published on chairboys.co.uk
Friday 18th March 1966 – David Bowie and backing band, The Buzz, make a ‘promotional’ appearance at the opening night of The Target Club in Paul’s Row in High Wycombe.
David Bowie in High Wycombe – March 1966 – advert from the Buck Free Press – enhanced for wycombegigs.co.uk by Paul Lewis
A 19 year old Bowie had been signed by Pye Records in November 1965 and his appearance in High Wycombe was part of a series of shows to help push his career, particularly his single release of January 1966 – ‘Can’t Help Thinking About Me’. It failed to make the UK or US charts.
His following single, released on 1 April 1966, ‘Do Anything you Say’ was the first to simply credit Bowie as artist and writer. That failed to chart too.
The advert in the Bucks Free Press for the Target Club gig announced a reduced admission charge on the night of 5/- (25p). Membership was 2/- (10p).
The Target Club was hosted in The Memorial Club above the Co-Op shop on the West side of Paul Row’s in High Wycombe and next to The Swan public house (a former meeting place of Wycombe Wanderers in the early 1900’s). The picture below from the SWOP wesbite shows the Co-Op building and The Swan.
image from swop.org.uk – ref RHW:38044
Both these premises were demolished as part of the Town Centre redevelopment in 1968. The Co-Op was relocated to the larger premises on the opposite side of the road, next to The Falcon.
The web page includes some further information on the evening.
The Who make their fourth appearance at The Town Hall during a hectic six month period in 1965.
Formed in 1964, the West London based rockers had released their first single, I Can’t Explain, in January 1965 and at the time of their November 1965 appearance at The Town Hall, their ‘My Generation’ single had reached No.2 in the UK Charts. The same titled debut album was soon to be released too.
What would be their final appearance in High Wycombe, took place at the popular ‘Tuesday Club’ held at The Town Hall. The same venue had hosted The Small Faces the previous month, while December 1965 would see the visits of The Kinks, The Moody Blues and Dave, Dee, Doxy, Beaky, Mick and Tich. All four gigs would have set you back less than £2!
Tuesday 17th December 1963 saw The Rolling Stones play their third gig of the year at High Wycombe Town Hall. Formed in London, they had played their first ever gig at The Marquee Club in July 1962 and subsequently signed for Decca Records. Their first single, released in June 1963, was a cover of Chuck Berry’s ‘Come On’ and reached No.21 in the UK charts.
Rolling Stones advert from the Bucks Free Press. Enhanced by Paul Lewis for use on wycombegigs.co.uk
They made their High Wycombe debut at The Town Hall on 13th August 1963, with a second single following in early November 1963 – this time a Lennon/McCartney penned ‘I Wanna Be Your Man’ becoming a ‘slowburner’ and eventually peaking at No.12 in the UK charts in January 1964. The song had the honour of being the first shown on BBC’s Top of the Pops show broadcast on 1st January 1964.
Before then, they had time for two further appearances in High Wycombe – a 12th November 1963 showing followed by the 17th December 1963 pre=Christmas bash where the advert in the Bucks Free Press included the added draw of seeing a ‘selection of MISS HIGH WYCOMBE’.
Admission was 7/6 (37 ½p).
A picture taken backstage showing Mick Jagger and Keith Richards is archived on the SWOP site (www.swop.org.uk).
It’s worth recalling the ages of the band members at the time of the December 1963 gig. Vocalist Mick Jagger was 20, Guitarist Keith Richards was just 19 but would celebrate his 20th birthday the day after The Town Hall gig. Fellow guitarist Brian Jones was 21, Drummer Charlie Watts was 22, while the oldest band member was bassist Bill Wyman at 27.
Further reading
In February 2018 I had the pleasure of meeting one of the Stones fans featured in the picture taken at the Town Hall in December 1963. This was during guest slot on Wycombe Sound show Emperor’s Bits – read more here.
For your viewing pleasure
I Wanna Be Your Man- Rolling Stones – Released November 1963
Saturday 31st August 1963 John Mayall and his Bluesbreakers
West Wycombe Village Hall
A 29 year old John Mayall and his Bluesbreakers play ‘The Wolf Club’ hosted at West Wycombe Village Hall. This was towards start of the Rhythm and Blues era in the UK and this gig appears to have been organised as part of, or on the back of, the embryonic stages of the famous Ricky Tick Club run by John Mansfield and Philip Hayward.
Flyer for R&B gigs, including those in West Wycombe in July and August 1963 – kindly supplied by Gary Jones
I am indebted to Gary Jones for supplying the above gig flyer. Gary later worked with Ron Watts during his time promoting at The Nag’s Head in the late 1960’s.
The flyer lists a series of R&B gigs in West Wycombe and Reading. You can also see from the flyer, a Rolling Stones gig to be played on 30th July 1963. This gig would eventually take place at the Royal British Legion in Slough under the curious banner of Club Nod.
In between the first gig listed (Cyril Davies on 27th July 1963) and the Mayall gig, The Rolling Stones would make their High Wycombe debut with an appearance for the first time at the Town Hall on Tuesday 13th August 1963. That would be opening of the ‘Tuesday Dancing Club’ at the town centre venue – more about those nights in future posts.
The West Wycombe appearance appears to be at a similar time that Mayall had moved to London from his northern roots in the Manchester area in order to take up a full-time career in music . The line-up for the West Wycombe gig is most likely to have included John McVie (bass) and Bernie Watson (guitar) and Peter Ward (drums) but comments are welcome.
“After Britain’s ten year traditional jazz boom had about run its course, a new generation was ready for something new. Out came the amplifiers, guitars and harmonicas and out came young enthusiasts from all over the country eager to form their own groups.” That seems a pattern of events that would be repeated over time.
Mayall’s appearance in West Wycombe is recalled by Ron Watts in his autobiography (Hundred Watts – a life in music). 20 years old at the time of the gig. Watts says: “It was packed, but as had happened in London at first, the audience wasn’t responding. Because I was into the blues scene by now I was feeling a bit braver than usual, so midway through the band’s second set I walked up to John and said to him, ‘You need to mix things up a bit here, mate.’ To my horror, and to probably the crowd’s delight, John announced to the band, ‘This guy’s gonna sing.’ I’d never, ever done anything like this in public before, I didn’t even know I could sing, but we went through the Little Richard rocker Jenny, Jenny and it went down a storm.”
There are a host of resources documenting Mayall’s musical journey and the huge list of musicians he played with following these early gigs. At the time of this post, the 83 year old was preparing for gigs at Ronnie Scott’s – some 53 years after his performance in West Wycombe!
